Most routing happens in the mixer’s track In/Out section, which offers, for every track, choosers to select a signal source and destination. You may have to increase the buffer size when you start adding a lot of effects and instruments to your songs.In the context of Live, “routing“ is the setup of the tracks’ signal sources and destinations (i.e., their inputs and outputs). If the audio playback is clean, you can even try a lower value. If the sound coming from your audio interface is distorted or skips, go back to the Buffer Size and try a higher value. This way, the latency can be kept at a minimum which will make it easier to play software instruments and create tight recordings. When setting the buffer size, the aim is to find the lowest possible value that still provides clean audio playback and recording. The buffer size can be set in the audio preferences of your music application (as shown in the screenshots above). If you want to set an in-between number suitable for most recording and mixing duties, 256 or 512 will suffice. Thus, a buffer size of 1024 is more suitable. If mixing with a lot of plug-ins, you will want to give your computer more processing time. To reduce latency while recording, we recommend using a lower buffer size of 128. Lower values may be chosen on purpose-built computers for audio production. We recommend using one of the following values: 128, 256, 512, or 1024. This introduces a short delay between recording and playback, called latency. For this reason, they use a buffer that provides the computer with sufficient time to finish all calculations. Since music is performed in real-time, music applications should never fall short of the calculations required to play and record your performance. On a Mac, you can directly adjust the Buffer Size as shown in the screenshot below:Ĭlick to expand the section below, to learn more about optimizing this setting. There you can adjust the application's Buffer Size. In this example with MASCHINE on Windows (see previous screenshot), you will find an option labeled Open Panel. The Buffer Size field defines the amount of time an audio application has to process the audio signal. Choosing a higher sample rate can further enhance the sound quality, but this also places a higher workload on the computer. A sample rate of 48000 Hz is common for use with pro audio equipment. A sample rate of 44100 Hz equals CD Quality. The higher the sample rate, the better the sound quality. The Sample Rate field defines the audio quality during recording and playback. On Windows, a KOMPLETE AUDIO device is listed as Komplete Audio ASIO Driver. On a Mac, the choice is Komplete Audio 1, 2, or 6, depending on which device you have connected. Here is where you choose the specific audio interface you're using. If you do not have the option to choose ASIO, please follow the instructions to install your KOMPLETE AUDIO ASIO driver in this article. On Windows, the ASIO driver is recommended. On a Mac, the only choice of Driver is CoreAudio. This regulates communication between the computer OS and the KOMPLETE AUDIO device. Note: This setup is similar when using other NI Audio Interface devices. In this example, we configure a KOMPLETE AUDIO 6 Mk2 with the MASCHINE Preferences. Namely, the possibility to configure an Audio Driver, Device, Sample Rate, and Buffer. The Audio Preferences in your DAW will always have certain features in common.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |